Visweek 2011 is upon us!

VISUALIZATION BLOG

 

The annual IEEE Visualization, IEEE Information Visualization and IEEE Visual Analytics Science and Technology conferences – together known as IEEE Visweekwill be held in Providence, RI from October 23rd to October 28th.The detailed conference program is spectacular and can be downloaded here.Some of the new events this year are under the Professional’s Compass category. It includes a Blind date lunch (where one can meet some researcher they have never met and learn about each others research), Meet the Editors (where one can meet editors from the top graphics and visualization journals), Lunch with the Leaders session (an opportunity to meet famous researchers in the field) and Meet the faculty/postdoc candidates (especially geared towards individuals looking for a postdoctoral position or a faculty position). I think this is an excellent idea and hope that the event is a hit at the conference.

I am also eagerly looking forward towards the two collocated symposia – IEEE Biological Data Visualization (popularly known as biovis) and IEEE LDAV (Large data analysis and visualization).  Their excellent programs are out and I’d encourage you to take a look at them.

The tutorials this year look great and I am particularly looking forward to the tutorial on Perception and Cognition for Visualization, Visual Data Analysis and Computer Graphics by Bernice Rogowitz. Here is anoutline for the tutorial that can be found on her website. She was one of the first people to recommend that people STOP using the rainbow color map.

The telling stories with data workshop too looks great and will be a continuation of the great tutorial held by the same group last year. I am eagerly looking forward to it. [Read more…]

Data visualisation: in defence of bad graphics

THE GUARDIAN’S DATABLOG – By 

Well, not really – but there is a backlash gathering steam against web data visualisations. Is it deserved?

Most popular infographics

Most popular infographics by Alberto Antoniazzi

Are most online data visualisations, well, just not very good?

It’s an issue we grapple with a lot – and some of you may have noticed a recent backlash against many of the most common data visualisations online.

Poor Wordle – it gets the brunt of it. It was designed as an academic exercise that has turned into a common way of showing word frequencies (and yes, we are guilty of using it) – an online sensation. There’s nothing like ubiquitousness to turn people against you.

In the last week alone, New York Times senior software architect Jacob Harris has called for an end to word clouds, describing them as the “mullets of the Internet“. Although it has used them to great effect here.

While on Poynter, the line is that “People are tired of bad infographics, so make good ones

Awesomely bad infographicsAwesomely bad infographics from How to Interactive Design Photograph: How To Interactive Design

Grace Dobush has written a great post explaining how to produce clear graphics, but can’t resist a cry for reason.

What’s the big deal? Everybody’s doing it, right? If you put [Infographic] in a blog post title, people are going to click on it, because they straight up can’t get enough of that crap. Flowcharts for determining what recipe you should make for dinner tonight! Venn diagrams for nerdy jokes! Pie charts for statistics that don’t actually make any sense! I have just one question—are you trying to make Edward Tufte cry?

Oh and there has also been a call for a pogrom of online data visualisersfrom Gizmodo’s Jesus Diaz:

The number of design-deficient morons making these is so ridiculous that you can fill an island with them. I’d do that. And then nuke it

A little extreme, no?

There has definitely been a shift. A few years ago, the only free data visualisation tools were clunky things that could barely produce a decent line chart, so the explosion in people just getting on and doing it themselves was liberating. Now, there’s a move back towards actually making things look, er, nice. [Read more…]

 

Twitter: Is It All About Timing? [Infographic]

SOCIALMOUTHS (Original post can be found here)

Yes, it feels good to talk about Twitter after spending a full week discussing Facebook’s major announcement. And why not, a little bit of Google+ too.

By the way, I was just reading today’s post from Jeff Bullasand I’m happy to see that even when Facebook hijacked the Internet, Google+ was able to grow nearly 9 million in 2 days. That’s pretty impressive.

But like I said, let’s please talk about Twitter for a change.

This infographic from Lemon.ly talks about Twitter timing and I thought I’d share it with you because it seems to be a regular concern. One of the questions I often get from clients and readers is “What is the best time to Tweet?” and while I think there is no one-size-fits-all kind of answer for this, at least this data lets you visualize a trend.

For example in my case, I agree with the AM timeframe but in the PM, I find that I get the most activity and best results between 3 and 5pm. I also agree with the usage percentage by day of the week although one of my favorite days to spend on Twitter are Fridays and according to this analysis it doesn’t get the action Tuesdays get. Like I said, that’s just me, the point is that you might have your own preferences.

The important thing is that you allow yourself to test the waters.

That’s not all on the infographic, there are other interesting numbers like how many Tweets happen per second or what was the hottest event. Let’s take a look at it and share your thoughts in the comments section.

Twitter timing infographic

Infographic courtesy of Lemon.ly

Over To You

What do you think? What are YOUR best times to tweet? Are you more active on certain days of the week? Share your comments!

4 Simple Tools for Creating an Infographic Resume

Editor’s note: As data journalists, designers or other data enthusiasts, what a better way to show off your skills than with an infographic resume? Here is a very useful article by Mashable’s  introducing four very interesting tools to make your profile stand out! Show us your infographic resume in our Data Art Corner. The best examples will be featured in the DJB’s front page next month!

MASHABLE – By 

As a freelancer or job seeker, it is important to have a resume that stands out among the rest — one of the more visually pleasing options on the market today is the infographic resume.

An infographic resume enables a job seeker to better visualize his or her career history, education and skills.

Unfortunately, not everyone is a graphic designer, and whipping up a professional-looking infographic resume can be a difficult task for the technically unskilled job seeker. For those of us not talented in design, it can also be costly to hire an experienced designer to toil over a career-centric infographic.

Luckily, a number of companies are picking up on this growing trend and building apps to enable the average job seeker to create a beautiful resume.

To spruce up your resume, check out these four tools for creating an infographic CV. If you’ve seen other tools on the market, let us know about them in the comments below.


1. Vizualize.me


 

 
 

 

Vizualize.me is a new app that turns a user’s LinkedIn profile information into a beautiful, web-based infographic.

After creating an account and connecting via LinkedIn, a user can edit his or her profile summary, work experience, education, links, skills, interests, languages, stats, recommendations and awards. And voila, astunning infographic is created.

The company’s vision is to “be the future of resumes.” Lofty goal, but completely viable, given that its iteration of the resume is much more compelling than the simple, black-and-white paper version that currently rules the world.


2. Re.vu


 

 
 

 

Re.vu, a newer name on the market, is another app that enables a user to pull in and edit his or her LinkedIn data to produce a stylish web-based infographic.

The infographic layout focuses on the user’s name, title, biography, social links and career timeline — it also enables a user to add more graphics, including stats, skill evolution, proficiencies, quotes and interests over time.

Besides the career timeline that is fully generated via the LinkedIn connection, the other graphics can be a bit tedious to create, as all of the details must be entered manually.

In the end, though, a very attractive infographic resume emerges. This is, by far, the most visually pleasing option of all of the apps we reviewed.


3. Kinzaa


 

 
 

 

Based on a user’s imported LinkedIn data, Kinzaa creates a data-driven infographic resume that focuses on a user’s skills and job responsibilities throughout his or her work history.

The tool is still in beta, so it can be a bit wonky at times — but if you’re looking for a tool that helps outline exactly how you’ve divided your time in previous positions, this may be your tool of choice.

Unlike other tools, it also features a section outlining the user’s personality and work environment preferences. Details such as preferences on company size, job security, challenge level, culture, decision-making speed and more are outlined in the personality section, while the work environment section focuses on the user’s work-day length, team size, noise level, dress code and travel preferences.


4. Brazen Careerist Facebook App


 

 
 

 

Brazen Careerist, the career management resource for young professionals, launched a new Facebook application in September that generates an infographic resume from a user’s FacebookTwitter and LinkedIn information.

After a user authorizes the app to access his or her Facebook and LinkedIn data, the app creates an infographic resume with a unique URL — for example, my infographic resume is located atbrazen.me/u/ericaswallow.

The infographic features a user’s honors, years of experience, recommendations, network reach, degree information, specialty keywords, career timeline, social links and LinkedIn profile image.

The app also creates a “Career Portfolio” section which features badges awarded based on a user’s Facebook, Twitter and LinkedIn achievements. Upon signing up for the app, I earned eight badges, including “social media ninja,” “team player” and “CEO in training.” While badges are a nice addition, they aren’t compelling enough to keep me coming back to the app.

 

 

 

Strata NY 2011 [Day 1]: The Human Scale of Big Data [VIDEO]

strata911Memorial.jpg

This post was written by Mimi Rojanasakul on Infosthetics.com. She is an artist and designer based in New York, currently pursuing her MFA in Communications Design at Pratt Institute. Say hello or follow her@mimiosity.
The 2011 Strata Conference in New York City kicked off on Thursday with a brief introduction byO’Reilly’s own Ed Dumbill. He ventures a bold assessment of the present social condition and how data science plays into it: the growth of our networks, government, and information feel as if they are slipping out of our control, evolving like a living organism. Despite this, Dumbill is optimistic, placing the hope to navigate this new “synthetic world” on the emerging role of the data scientist. And so sets the stage for the speakers to follow.

The first keynote comes from Rachel Sterne, New York City’s first Chief Digital Officer and a who’s who in the digital media world since her early twenties. Though there was some of the expected bureaucratic language, examples of what was being done with the city’s open data showed very real progress being made in making parts of government more accessible and allowing the public to engage more directly in their community. New York City is uniquely situated for a project of this nature, and the individual citizens are a key factor – densely packed in and cheerfully tagging, tweeting, and looking for someone to share their thoughts with (or perhaps gripe to). Through NYC Digital’s app-building competitions, hackathons, and more accessible web presence, New Yorkers are able to compose their own useful narratives or tools – from finding parking to restaurants on the verge of closing from health code violations. By the people and for the people — or at least an encouraging start.

strataNYCMap.jpg[ New York City evacuation zone map was shared with other parties to protect against heavy internet traffic taking down any individual site ]

On matters of a completely different spatial scale, we turn to Jon Jenkins of NASA’s SETI Institute and Co-Investigator of the Kepler mission. The Kepler satellite, launched in July of 2009, boasts a 100,000 pixel camera that checks for tiny planets blocking a star’s luminescence for over 145,000 stars in its fixed gaze, snapping a photo every 30 minutes with bated breath for potential candidates. As of February 2011, over 1200 planetary candidates were identified. Despite the cosmic scale of Kepler’s investigations, Jenkins’ communicates with a Carl-Sagan-like sense of wonder that is difficult not to get swept up in. Video renderings of distant solar system fly-bys show worlds not unlike our own, a reminder that the motives for some of our greatest accomplishments come from an innate, irrepressible curiosity.

strataKeplerFOV.jpg[ Photo and graphic representation of Kepler’s field of vision ]
strataKeplerSuns.jpg[ Recently discovered planet with two suns ]

Amazon’s John Rauser begins his own talk with a different story about staring at the sky. It’s 1750, Germany, and Tobias Mayer is about to discover the libration (wobble) in the Moon. Rauser argues that it was Mayer’s combination of “engineering sense” and mathematic abilities that allowed him to make the first baby steps toward establishing what we now know as data science. While an earlier presenter,Randy Lea of Teradata, focused mostly on the technological advancements made in the field of big data analytics, Rauser emphasized the human characteristics demanded for this career. Along with the more obvious need for programming fluency and applied math, he cites writing and communication as the first major difference in mediocracy and excellence, along with a strong, self-critical skepticism and passionate curiosity. These last three virtues could just as easily be transplanted into any other field, and judging from the applause and approving tweets, the relevancy clearly struck a nerve with the crowd.

From a design perspective, the obvious continuation to so many of these presentations was the successful visual communication of all this data. My aesthetic cravings immediately subside when Jer Thorp, current Data Artist in Residence at the New York Times, takes the stage. His presentation walks us through a commission to design an algorithm for Michael Arad’s 9/11 memorial that would place names according to the victims’ relationships to one another. Though clustering the 2900 names and 1400 adjacency requests was at first an issue of optimization-by-algorithm, manual typographic layout and human judgement was still necessary to achieve the aesthetic perfection needed. Thorp also made a great point about visualizations not only being an end-product, but a valuable part of the creative process earlier on.

strata911RelationshipViz.jpg[ Early visualization of density of relationships ]

 

[vimeo 23444105]

WTC Names Arrangement Tool from blprnt on Vimeo.

[ Processing tool built to arrange the name clusters by algorithm and by hand ]

 

To be honest, I was skeptical at first of the decision to cluster the names by association rather than simple alphabetization — an unnecessary gimmick for what should be a uncomplicated, moving experience. Part of the power of the Vietnam Memorial was its expression of the enormous magnitude of human casualties with simple typographics, while its logical organization provided map and key for those purposefully looking for one name. But as Thorp explained these adjacencies in context, the beauty of the reasoning began to unfold. First, it is a matter of new ways of understanding. We do not browse, we search. And collecting and visualizing our identity based on our social networks has become second nature. It has the potential to tell stories about each individual’s lives that go beyond the individual experience, creating a physical and imagined space to extend this unifying connectivity.

Overall, it was a humanizing first experience with professional “big data.” Coming from a background in art and design, you could say I had some apprehensions about my ability to understand the myriad of technical disciplines represented at Strata. Despite this, the experience so far has been of unexpected delights — a keenly curated look at where we are with data today.

I admit this first post was low on data visualizations, but there were plenty of interface and graphics talks in the afternoon sessions to share in the next posts. Stay tuned!

The work of data journalism: Find, clean, analyze, create … repeat

O’REILLY RADAR – By 

Data journalism has rounded an important corner: The discussion is no longer if it should be done, but rather how journalists can find and extract stories from datasets.

Of course, a dedicated focus on the “how” doesn’t guarantee execution. Stories don’t magically float out of spreadsheets, and data rarely arrives in a pristine form. Data journalism — like all journalism — requires a lot of grunt work.

With that in mind, I got in touch with Simon Rogers, editor of The Guardian’s Datablog and a speaker at next week’s Strata Summit, to discuss the nuts and bolts of data journalism. The Guardian has been at the forefront of data-driven storytelling, so its process warrants attention — and perhaps even full-fledged duplication.

Our interview follows.

What’s involved in creating a data-centric story?

 

Simon RogersSimon Rogers: It’s really 90% perspiration. There’s a whole process to making the data work and getting to a position where you can get stories out of it. It goes like this:

  • We locate the data or receive it from a variety of sources — from breaking news stories, government data, journalists’ research and so on.
  • We then start looking at what we can do with the data. Do we need to mash it up with another dataset? How can we show changes over time?
  • Spreadsheets often have to be seriously tidied up — all those extraneous columns and weirdly merged cells really don’t help. And that’s assuming it’s not a PDF, the worst format for data known to humankind.
  • Now we’re getting there. Next up we can actually start to perform the calculations that will tell us if there’s a story or not.
  • At the end of that process is the output. Will it be a story or a graphic or a visualisation? What tools will we use?

We’ve actually produced a graphic (of how we make graphics) that shows the process we go through:

 

Guardian data journalism process
Partial screenshot of “Data journalism broken down.” Click to see the full graphic.

What is the most common mistake data journalists make?

Simon Rogers: There’s a tendency to spend months fiddling around [Read more…]

 

 

A GUIDE TO LIBYA’S SURVEILLANCE NETWORK

OWNI.eu – By Jean Marc Manach

After repeated interrogations lead by Reflets.infoOWNI, the Wall Street Journal and the Figaro, Amesys, the French company that sold Internet surveillance systems to Gaddafi’s Libya tried to calm things down with a statement posted on its website (mirror):

The contract only concerned the sale of materials capable of analysing a fraction of existing internet connections, only a few thousand.

However, the documents in OWNI’s possession tell a different story, in fact, the exact opposite story. In contrast to traditional surveillance systems that target specific connections, the “massive” (sic) Amesys surveillance system is used to intercept and analyze the entirety of the telecommunications network, to the scale of an entire country.

In its presentations for the high-end surveillance service, Amesys flaunts EAGLE as having been conceived to monitor the whole spectrum of telecommunications: IP traffic (internet), mobile and landline telephone networks, WiFi, satellite, radio and micro waves thanks to its “passive waves, invisible and inaccessible to any intruder.”

The massive system (EAGLE GLINT, GLobal INTelligence, which was the system sold to Libya), was conceived to respond to interception and surveillance needs at a national level and to be capable of aggregating all kinds of information and analyzing, in real time, a national data flow, from a few terabytes to a few dozens petabytes [1peta-octet = 1024 tera-octets, 1 tera-octet = 1024 giga octets and that the total amount of everything ever written by the human race in all languages is estimated at 50 peta-octets…]


EAGLE is therefore able to aggregate, in an automatic fashion, email and physical addresses, telephone numbers, photos of suspects, but also to make automatic searches by date, hour, telephone number, email address, keyword, localization… [Read more…]

Visualize This: How to Tell Stories with Data

BRAIN PICKINGS – By Maria Popova

How to turn numbers into stories, or what pattern-recognition has to do with the evolution of journalism.

 

Data visualization is a frequent fixation around here and, just recently, we looked at 7 essential books that explore the discipline’s capacity for creative storytelling. Today, a highly anticipated new book joins their ranks —Visualize This: The FlowingData Guide to Design, Visualization, and Statistics, penned by Nathan Yau of the fantastic FlowingDatablog. (Which also makes this a fine addition to our running list of blog-turned-book success stories.) Yu offers a practical guide to creating data graphics that mean something, that captivate and illuminate and tell stories of what matters — a pinnacle of the discipline’s sensemaking potential in a world of ever-increasing information overload.

And in a culture of equally increasing infographics overload, where we are constantly bombarded with mediocre graphics that lack context and provide little actionable insight, Yau makes a special point of separating the signal from the noise and equipping you with the tools to not only create better data graphics but also be a more educated consumer and critic of the discipline.

[youtube Q9RWwKntuXg]

From asking the right questions to exploring data through the visual metaphors that make the most sense to seeing data in new ways and gleaning from it the stories that beg to be told, the book offers a brilliant blueprint to practical eloquence in this emerging visual language. [Read more…]

 

 

 

 

 

A Data Visualization of U.S. Newspaper History

10,000 WORDS – By Meranda Watling

A few weeks ago, I shared a link to the coolest way to visually see what’s news around the world. Now, here comes an interesting way to see what was news. Well, rather, who was covering the news and when in the U.S. It’s a data visualization of newspapers past. And it’s pretty cool, if somewhat depressing.

The Rural West Initiative at Standford University created the map by plotting the U.S. Library of Congress catalog of newspapers (140,000 publications??) over time and space. These are the results (click to see the real maps).

Through the sidebar content as you scroll through the timeline, you get a feel for the different “eras” of newspapering, from the colonies to the frontier to yellow journalism and merger mania. [Read more…]

Phone hacking resignation statements: visualised and listed

THE GUARDIAN DATA STORE – By

Andy Coulson, Rebekah Brooks, LesHinton, Met Commissioner Sir Paul Stephenson and now John Yates – see what their resignation statements had in common

Get the data

News of the World phone hacking resignations - as a Wordle

The News of the World phone hacking scandal has prompted resignation after resignation, and with each one has come with a statement issued to the press.

So far, we have had five major resignations in the wake of the scandal:

• Andy Coulson, Prime Minister’s director of communications, Friday 21 January 2011 | full statement
• Rebekah Brooks, News International chief executive, Friday 15 July, 2011 | full statement
Les Hinton, CEO of Dow Jones & Company, Friday 15 July, 2011 | full statement
• Sir Paul Stephenson, Metropolitan police commissioner, Sunday 17 July 2011 | full statement
• John Yates, Metropolitan police assistant commissioner, Monday 18 July, 2011 | full statement

And with each statement, the language has been carefully planned and calibrated to say exactly what resignee wants to get across to the world. [Read more…]